Kansas City Freelance Writer Liz Craig

The current Miracle Whip TV campaign features Jersey-style hate for the mayonnaisey, yet sweet, product.

It appears that Miracle Whip is playing on the generally accepted fact that there are “Mayo people” and there are “Miracle Whip” people, and never the twain shall meet. Each thinks the other’s fave sandwich spread is yucky. It probably has to do with which one your mom used to make tuna salad.

But this TV spot features Pauly D, who hates Miracle Whip and anyone who likes it. Huh? Does that hatred inspire brand loyalty among MW lovers? Make them feel defensive, so they clutch MW to their collective bosom to shield it from Hellmann’s bullies?

The commercial encourages mayo lovers to taste MW to see if they really do hate it. The last time I tasted it was when I was about ten years old. I still remember the shock, disappointment and anger I felt when I took that first bite of my friend’s mom’s tuna salad sandwich. It was a terrible situation: I was famished, and I love tuna salad, but this tuna salad had been RUINED by the sweet, sticky, overpowering flavor of Miracle Whip. I was a Hellmann’s kid and had never tasted this other stuff before. I reacted like a baby tasting creamed spinach for the first time. Except I didn’t spit it out, because my mother taught me to be polite. The fact that the MW brand has remained popular to this day isn’t so much a miracle as a mystery to me.

In like fashion, Brits love a certain bread spread called Vegemite. It’s concentrated yeast extract in a jar. Mmm! To the Vegemite virgin, it tastes like something that ought to be used to lubricate machinery and have a label warning of dire consequences if you ingest it. But the Brits gobble it by the gallon (or the litre) every year. Apparently, they even use it under their eyes when they play rugby. And down their… well, never mind.

And on this side of the pond, how about White Castle burgers, better known as “sliders?” Briefly, there was a White Castle nearby. White Castle was exotic and new to me. When it opened, I rushed over and ordered a bag of sliders. With the first savor of burger number one, what impressed me most was how little meat and how much cheese and grease was packed between those eensy buns. I imagined the goo oozing its way through my arteries, toward my aorta. I threw the rest of the sliders and the oil-soaked bag away. Amazingly, these tiny death-bombs are so popular that for fans who aren’t near a White Castle, there are sliders in the grocery store freezer case. Go figger.

But back to the Miracle Whip versus Hellmann’s or Kraft controversy. The MW commercial casts aspersions on people who like Miracle Whip, yet it’s a commercial FOR Miracle Whip. This is a radical twist on the traditional approach, which is to show happy people smiling as they tuck into whatever foodstuff is being promoted. In that sense, the commercial is refreshing. There isn’t a single “bite and smile” shot in it. But will it sell Miracle Whip? I imagine it’s aimed at younger audience members (What are they now, Gen Y or Gen Z?) who are skeptical of anything pushed at them via TV in the traditional way. This message is ironic, edgy and unexpected. So who knows, that may be the recipe for Miracle Whip success.

But as I said, I think preferences are based on what you’re raised with. I say if you’re a MW person, you’re going to use it as always. If you’re a mayo person, you’re not. What do you think?

Someone recently stuck this flyer in my door. I was about to throw it away, when I became riveted by the copy. Not because of the content, but because spelling errors dotted its landscape like landmines. See how many you can spot.

I imagine English is not the first language of the author of this flyer. I hope s/he finds someone to look over future advertising pieces. Poor spelling gives the impression you don’t care about detail, at the very least. Or that you are dumb, at the very worst.

Need a good proofreader to make you and your business look its best? Give me a call. 913-236-7595.

Happy Fried Day, everyone! Nothing serious today, just a video of Snoopy, the pet of Eric Chia, a graphic designer/Web person I know, showing how smart he is (Not smart enough to be a copywriter, I hope.) Enjoy!

Back in my agency days, our clients were large corporations who had CFOs and accounting departments taking care of their books. Today, as a freelance writer in Kansas City, I’m often trying to help small business owners whose staff is limited to a handful of people. And maybe they don’t have an accountant, or even Quickbooks to keep them on track.

When small business owners ask me, “Can you give us a business plan?” I have to say, “That’s not my specialty,” and refer them to the Kansas Small Business Development Center. There’s one office located at Johnson County Community College, in case you’re interested.

The KSBDC is a largely unknown entity funded by the State of Kansas specifically to help small businesses get their act together.

They have counselors and advisors there who can help you see where you are, where you want to go, and how to get there. Their help could range from helping you create a business plan to figuring out how to drive more traffic to your website.

I’ve referred two small business owners there. One has gone to classes there to learn about business plans, marketing his business, and more. The other is still too busy doing his own business to take time out and go to the KSBDC for advice.

That’s a problem for small business owners. Many are not only doing whatever it is their business is about, but also trying to run their business, from accounting to maintenance to marketing.

I can’t help you with accounting or maintenance, but I can help you find the right person to help you with them. I know a QuickBooks pro, for example, who helped one client see the financial landscape of his business for the first time in 15 years.

And as far as marketing your business goes, if you’re a small business person, that’s just one thing at which you’re not a whiz that you may be trying to do yourself. You justify it by saying if you do it, it won’t cost you money. But is that really true?

If you generally charge clients $75 per hour for a service call (let’s say), and you spend five hours on a marketing effort, well, you’ve just cost yourself $375!

Why not let me help you with advertising, Web copy, brochures, or any other marketing effort you need? When you pay me the $75, you can be out earning the money to pay for it. And you’ll be a lot less frazzled by trying to do something that isn’t second nature to you.

If I can help you with writing, strategizing, researching or implementing your online, print or broadcast marketing plan, just give me a call at 913.236.7595. I’ll be glad to meet with you and see what you need and find a way to get it done.

Today, while working on Web copy, I felt the 90s collide with the 10s.

The Web designer, another Woman of a Certain Age, informed me that, though I had requested that she change “email” in some copy to “e-mail,” as I’d written it, the latter form was only popular in the 1990s, when “electronic mail” was new.

On my own, I’d lazily left out the hyphen and toyed with the idea of leaving it out permanently. Little did I know I was following a lot of other lazy, hyphen-hating lemmings over the language cliff’s edge. You know, that land where it’s “Whoopee! anything goes now!” That land where “snuck” is fine, instead of the correct “sneaked.” And “hung” is the word for a person who’s been executed by the rope-noose method, not a man who is… Oh, you know. Well, I don’t want to go to that land. Before I know it, I’ll be wearing verbal sweatsuits everywhere, belching loudly over my plate of escargots, and letting the house go to hell. It’s a swippewy swope, as Bennet Cerf used to say. (And if you remember him, you’re of a Certain Age, too.)

What’s your opinion? Is it still “e-mail” for you, or have you made the transition to the new, more compact (but suspicious-looking) “email?”

A new idea is often represented as an incandescent light bulb glowing over someone’s head. Now that the old Edison bulbs are banned in favor of the CFL ones, we’ll have to think of something new. ‘Cause those CFLs look weird, and they’re slow to reach full brightness, while new ideas usually come flashing into your brain fully formed.

Or so you think.

• Ideas begin in your subconscious mind.
It’s that mysterious part of your brain where memories, impressions, images, smells, and bad old jokes are stored. You see, hear, smell, feel or read something, and it kicks off a fast conveyor belt carrying associations (Think of Lucy and Ethel working in the chocolate factory). When your subconscious sees the germ of a good idea, the conveyor belt jerks to a stop. What then?

• Your conscious mind plucks the “proto-thought” off the conveyor belt and holds it up to inspect it.
At this point, what you have is an amoeba-like blob: an association and a thought kind of oozing together. If it seems as if it might jell into something useful, the mind starts integrating it (or “mooshing it around,” as we creative professionals say) with other thoughts to create an idea that has form and substance. A creative idea, a business idea, whatever it might be. Perhaps “THE IDEA,” perhaps not. If not, it’s back to the conveyor belt.

• Coming up with “THE IDEA” takes a little time.
People (left-brained people, usually the account people) must think all you have to do is drop in a quarter, the machine goes whirr-whirr-zing, and at 12:59 p.m., “THE IDEA” chunks out of the chute. Not so.

• The “monkeying around” time is essential.
It takes place while you’re sleeping, showering, walking, watching TV, reading a book or newspaper, playing games, doing something unrelated to “working on” THE IDEA. When it doesn’t come is when you’re sitting rigid at the computer keyboard feverishly thinking, “OMIGOD, what am I going to do? Only 35 minutes to go! Come on, IDEA!”

• Now, deadlines for ideas are a good thing.
They focus your mind. They’re helpful, as long as they’re not so close you can feel their hot, humid breath on your neck. Nothing closes down the creative brain like time pressure. On the other hand, sometimes your very first idea is “THE IDEA.” Not often, though.

• So where do ideas come from?
Out of your dank, dark subconscious mind, through your collected associations, up into the conscious mind, out into the daylight, then into the monkeying around process. Then, you devoutly help, they will transmogrify into just “THE IDEA” you need.

• So don’t short-cut the creative process.
Good ideas are like shy little bunnies hiding in the shrubberies of your mind. If you rush to grab them, they’ll high-tail it into the woods. But if you sit down quietly some distance from them, eventually they’ll come out and reward you with a wet sniff with their cute little bunny noses. That’s my take, anyway.

Need good ideas? Come and find me. I’ll be sitting near the shrubberies.

The first time a new client offered me a couple hundred bucks upfront, I was surprised. Of course, I accepted the money (My motto: Never say “no” to money a client offers you, unless it’s to carry out a Mob hit.).

But I still wasn’t convinced it was necessary. After all, if you and the client hit it off, a long-term relationship seems probable, and they seem solid enough to pay you for work done, why bother?

Well, here’s why: It’s a gesture of good faith. It’s also a token of their esteem for you. And, like an engagement ring, it’s a symbol of engagement. You’re together, and you expect to stay together—at least until your fees for work done have exhausted the upfront retainer.

So there’s another question: Is the upfront retainer to be taken in addition to hourly fees or not? I favor the idea that it’s a down payment on work to be done, not a signing bonus. My Midwestern work ethic just won’t let me take money for not doing anything. But it also balks at doing anything for no money.

If a client wants to solidify his/her relationship with me, sure, I’ll take a small retainer upfront. If not, that’s okay, too. I’m easy to work with.

One thing I have been doing, though, is asking a new client to sign an “Engagement Agreement” setting out certain understandings about my fees and what types of activities they cover, billing procedures, payment, late payment fees, and so on. It gets everything on the table, so there are no surprises later.

Getting a written agreement from a client is a good idea (and less heavy than the Contract I tried that caused new clients to have instant panic attacks). But my business manager is telling me I still need to:

(a) ask for retainers upfront without blinking;
(b) turn down “spec” jobs, unless they’re for causes I support; and
(b) raise my fees to their pre-recession levels.

But my business manager is me, and I tend to ignore me. So if you’re thinking of hiring a Kansas City freelance writer, better do it now, while my business manager is in sleep mode.

When I have asked business owners who does the writing for their website, ads or brochures, sometimes I get the most alarming answers. Check out the following:

“What do I need to pay a writer for? I write my own copy.”
“Oh, I write my stuff, and my Web guy puts it on the site.”
“Nobody reads anymore, so I use a lot of graphics and Flash.”
“I want my ads to sound like me. I don’t want it to sound high-falutin’.”

Oh, dear. We’ve all seen printed or Web copy that is stunning, but not in a good way.

There’s writing, and there’s typing (pardon me, ghost of Truman Capote). As a professional writer, I have run into a few business owners who had the gift of superb writing skills. But generally, business owners are better at what they do for a living: running their business. And some are not so good at spelling, punctuation, grammar and syntax. Finally, some are very good at “burying the lead,” which means sticking the primary sales point or exciting news in the middle of yawn-producing text.

What can a professional freelance writer do for your business? See if you think these considerations are important –

• You know a lot. Maybe too much. Hire a naive writer.

A professional freelancer sees your business and the services it provides from a naive perspective, that is, as the average person would see it. That writer can ask questions your prospects may have in their heads, ones you never realized were important to answer.

• In other words, what you know can hurt you.
You know hundreds or thousands of factoids about your company. Which ones are relevant to a prospect? Interesting? Compelling? You may not be able to say, because ironically, you know too much about your company. A professional freelance writer knows how to pull a compelling narrative out of all your company info.

• Experience saves time and pays off.
An experienced professional freelance writer has written scores of communications, from ads to brochures to websites, about lots of different types of companies. S/he knows what works and what doesn’t and can create a custom-made approach for your company that will get your phone ringing, or people hitting your website.

• Hiring another brain makes sense.
Is there something amiss in your communications approach? Ask the writer. A professional freelance writer is also a professional thinker, a problem-solver. So brainstorm your brains out. And come up with a great solution.

• Don’t be afraid to reveal yourself in your company’s story.

A professional freelance writer is also a story-teller. Your writer can develop a story or narrative that goes beyond raw facts and interests people in your company. Some businesses try to hide any hint of personality from public view, thinking it’s unprofessional. But that’s not the case. People want to relate to a company on a personal basis. There are lots of companies out there communicating with their audiences in cool, innovative ways. Look at Apple. Personality plus, and professional, too.

• Your money or your time?
Do you spend days trying to find the time to write that Web copy or that ad or blog post? Do you struggle mightily with writing it? And maybe you try to squeeze it in between your actual job duties, which makes you stressed. Let me ask you this: Have you ever thought about how many dollars per hour your time is worth? How about your sanity? An efficient, reasonably priced, effective freelance writer can help you save both.

• Help is at hand.

So next time you’re sweating bullets trying to write your own ad or Web copy, remember that professional writing help is available. Feel that 100-pound weight lifting from your shoulders. Now, don’t you feel happier just thinking of letting go of that hated writing task? Of course you do. Now seek out the help you need, from me or from another professional freelance writer, and get back to your true calling: running your business.

If you’re looking for a freelance writer, take a look at me. Or rather, some of my work. It’s on this very website, under “Portfolio.” But look, I’m more than the projects I’ve done for clients, see? I have had a life outside of work. A fun life. You won’t see this in my bio, but during my UMKC days, I was involved with a comedy improvisation company (maybe the first in KC).

During a riotous year working with the improv group, I wrote satirical songs (good practice for jingles later), sketches (good practice for TV scripts later), and acted as assistant director and emcee (good practice for life later). I had a ball and made lifelong friends.

But back to the career… Starting out with a degree in Radio & TV Writing/Production, my first job was in advertising. For several years, I worked on new product development and advertising, learning lots from marketing directors of Fortune 500 companies. I got to use my radio and TV commercial skills at that first job, then eventually moved to Omaha to work at Bozell. The less said about that the better. I was lucky enough to be hired by another Omaha agency, not a big one like Bozell, but home to most of the biggest clients in town. A great small agency with a staff of fabulous small people. And one mean 6’7″ art director.

Soon after I got to Omaha, I felt the lure of the footlights again, so I pursued community theater acting. My first role was as the title character in “I Remember Mama.” Wow. That was a nightmare, with dozens (it seemed) of wardrobe changes and no prop or wardrobe person. The Swedish accent was the least of my challenges!

I did a whole lot of radio and TV work at the Omaha agency for 10 years. Our clients were retailers, hospitals, car dealers, supermarkets, a pizza chain, more hospitals, and Ak-Sar-Ben race track, for which I got to write and produce a series of TV spots featuring Jack Klugman, who is quite a horseman. I’ll tell you, he is a swell guy, but he really gets grumpy when you try to feed him blueberry bagels (Oy!) at 6 a.m., which was 4 a.m. his time, LA time.

The Ak-Sar-Ben account was mine, and I loved it because I’d ridden horses back home in Mexico, Missouri, “Saddlehorse Capital of the World.” I wrote and produced 60-second radio commercials featuring educational bits about horse racing. Like, “What are those things jockeys put underneath the horses’ saddles?” (Answer: weights) Then I got homesick for Kansas City and came back. After relatively brief stints at three good writing jobs, I became a Kansas City freelance writer in 2001. So here I am.

The improv company wasn’t the end of my love of humor. When clients would let me, I’ve injected it into projects. I created two animated French pizza chefs in TV spots, humorous greeting cards for college students, Omaha Visitors and Convention Bureau TV spots (One featured a guy dressed up as a potato, saying how your company won’t be treated like small potatoes if you have your convention or meeting in Omaha. Okay, maybe that’s really not the best example. Take a listen to my radio spots, under “Portfolio.”).

In my advertising and marketing life, I’ve done ads, brochures, catalog copy, direct mail, billboards, bus benches (Don’t laugh; they’re a big deal in Omaha.), window signs, radio and TV commercials, video promos, articles and advertorials. There must be some other stuff, too, but I can’t remember it all.

These days, of course, like every other advertising or marketing person in Kansas City (and around the world), I’m involved with social media and Web writing. Also, surprisingly enough, I’m doing professional proofreading for a giant investment company. Looking as professional as you are is important, companies are beginning to find out, and that means sending out communications that are properly punctuated and spelled. I had hoped the pain of diagramming sentences in school would pay off eventually. But really, who knew that much later, a lot of people wouldn’t be able to tell a noun from an onion? That used to be the province of “secretaries.” Guess what? Everyone’s their own secretary now, since computers.

Well, enough of this. If you’re looking for an experienced freelance writer in Kansas City, you’ve come to the right spot. I’ve won awards, both in Kansas City and in Omaha, but I’m more about winning business for clients. Give me a call at 913.236.7595 if that sounds good to you. Or invite me to your place to put on an improv demonstration.

I look forward to talking with you and working with you.

Here’s a great article about how to keep them awake, involved and interested.